![]() I mean, I basically heard that vocal and I thought, “Well, I have to use that.” I tried to produce a really nice DJ tool. Oliver Siebert: To be honest with you, it was that kind of, like, quick ones. I wanted to start by asking you what your thinking was behind the track when you were making it? I only have a few questions, and I actually primarily wanted to focus on your track “Doin’ Ya Thang.” Because I know that’s been a really big track for you, and it’s the one that’s of the most interest to us. ![]() ![]() So when LWE was offered the opportunity to interview Oliver “$” Siebert by his management, we knew it was important to ask the man responsible about the arrangements, motivations, and ethical quandaries behind one of 2011’s most notorious records. While club audiences, Beatport shoppers and RA charters ate it up, many (including our own reviewer) felt the track exploited Kenny Dixon Jr.’s bountiful personality without giving him any credit. Oliver $’s “Doin’ Ya Thang,” with its generous samples of Moodymann’s signature patter, has caused quite a stir since being released in April on Play It Down.
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